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READING

​reading /ˈrēdiNG/ n.
1. The frequently obsessive habit of bookworms and scholars
​2. (informal) the source of unintentional all-nighters

she said/she said review: ghostly echoes by william ritter

10/24/2016

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The Facts

​Ghostly Echoes​ by William Ritter
Basia rates it: 5/5 stars
​Connor rates it: 5/5 stars

The Reviews

basia
When Connor told me to cancel my library hold because I couldn't possibly wait drove the book across the city to my front door, I knew it was going to be good. I had worried this wouldn't quite measure up to the first two books, but I think it surpassed them. Ritter's prose is poignant and humorous at the same time, deeply profound in a way that knocks you off your feet and fulfills you all at once. The cast of characters is, as always, delightful: full of favorites old and new, and one favorite who is both new and very old at the same time.
connor
I was somewhat concerned this might not live up to the previous two novels, but once again Ritter's prose delivers in SPADES. Ghostly Echoes is both compelling and delightful to behold--humorous in all the right places and detailed in all the curious ones, with our regular motley crew and a number of interesting additions to keep things moving forward. ​Besides, there aren't many books that I'd drive across town (through traffic, no less) to deliver to Basia's door when I know she won't even be there to say hello. 
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she said/she said review: the raven king by maggie stiefvater

9/15/2016

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We, as you might have already gathered from Basia's W(REC)'D post about Sinner, are big fans of Maggie Stiefvater. We were therefore eagerly awaiting the release of the fourth and final installment in The Raven Cycle, and are happy to present our reviews of The Raven King for today's #throwback.

The Facts​

The Raven King, by Maggie Stiefvater
Basia rates it: 5/5
Connor rates it: 5/5

The Reviews

basia
Reading a Stiefvater book always makes me feel as if I've found a part of myself I thought I'd lost, and closing the book once I've finished leaves me feeling oddly bereft again, as if I can only hold onto the magic for as long as I'm reading the book.

The Raven King is like that, and it is so much more. It is magical and terrible and beautiful and heartbreaking all in one, and my heart aches because this series speaks so clearly to my soul and I will miss it with every fiber of my being. There are unanswered questions but ones that are not so much "plot holes" or "loose ends" but things that allow you, as a reader, to hope.

​It was exactly what an ending should be: it both satisfies and leaves you wanting. I have an indescribable longing after finishing this book, a longing for that something more, but I can't tell you what it is. I don't long for something from Maggie; it's something else, something both related and unrelated to the book and the series as a whole.

​The book hangover is going to be so, so real. Thanks for the ride, Stiefvater. Excelsior.
connor
That's all there is. 

... Or, too put it in many more words: reading Stiefvater is always a curious experience. Something about her prose grabs my imagination so thoroughly that when I finish one of her novels, I feel simultaneously completely listless and completely, utterly content and at ease. 

The Raven King is no different--it's the sort of novel you want to BE. The sort of novel that it takes a series to get to because it takes a series for you to know the characters and for the characters to know each other in the way that makes a novel like this even possible. The sort of novel with the conversations you recognize from your own friendships that run deep and strong and true. The sort of novel that has her characters wrestle to describe the same things you wrestle to describe. 

Everything belongs. Everyone belongs. Every moment is where it needs to be, and when you close this book the last puzzle piece of Henrietta, Blue Sargent, and her Raven boys falls into place. 

Ah, you say. Of course.

That's all there is.
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places no one knows

8/15/2016

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The Facts

​Places No One Knows by Brenna Yovanoff
​Basia rates it: 4.5/5
Maggie Stiefvater said she wasn't sure if this book was "a dream wrapped in razor wire or razor wire wrapped in dream." The beautiful thing about this book is that it's both​. It is a book about people who feel too much and people who feel too little, how to navigate feelings or unfeeling in a world where we're constantly fed expectations of our emotional responses to situations.

All of Brenna's books have a dreamy sort of quality to them, but this one especially. It creates an interesting juxtaposition of dream versus reality--when the thing you're "dreaming" feels like the more tangible, more real space and your reality is the waking dream. This isn't a book for everyone (Brenna's books seldom are), but for those it speaks to, it will practically shout​. It's a story of expectation versus reality, of self-identity, of the difference between the self that you project and the one that you are on the inside. This book is raw and strange, but it is so powerfully honest​​​. There's something here for everyone to connect to, whether you're a Marshall, a Waverly, or someone somewhere in between.
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sorcery and cecelia, or: the enchanted chocolate pot

8/5/2016

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The Facts

Sorcery and Cecelia, or: The Enchanted Chocolate Pot
by Patricia C. Wrede and Caroline Stevermer
Basia rates it: 5/5
Connor rates it: 5/5

The Reviews

basia
I normally am very wary when I approach an epistolary novel because I can never quite get into them. They always bother me in that the characters writing to each other act as if they've never met before, and they give long and rambling details of backstory purely for the reader's benefit, which real people writing letters to one another obviously wouldn't do.

​That's why I loved this novel so much. Not only was it delightful, I felt, for once, like the characters really knew each other. They was no clunky delving into backstory that we didn't need; everything we did need to know was cleverly revealed, so that I never felt like the novel was suddenly self-aware that it had readers who needed explanations. 

​Also, "Are you bamming me?" has got to be one of the best phrases I've ever read, and I think I'll be using it in the future.
connor
I first read this novel years ago when I discovered Patricia C. Wrede's Enchanted Forest Chronicles and wanted to try her other books. I devoured it (and the sequels, which are not quite as delightful but still Quite Good).

Sorcery and Cecelia is the account of two outrageously fun cousins, Cecelia and Kate, and their even more outrageous adventures as they accidentally stumble into a world of magic and intrigue.

... Well, somewhat accidentally, anyway. Cecy and Kate are prone to these things (see also: the goat incident). Their letters do an excellent job of expressing their wit, their frustration, and their single-minded determination that they "simply must Do Something," a phrase I've happily adopted for my own purposes since I first read it, and I wholeheartedly recommend this to fans of fantasy and magical realism alike. 

#getwrecd

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We're happy to introduce Sorcery and Cecelia for our second book drop! Keep an eye out for details--we'll be sharing them soon. 
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update: the watchmaker of filigree street

6/1/2016

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The Facts

The Watchmaker of Filigree Street​ by Natasha Pulley
​Basia rates it: 3.75/5
​
I did a write-up for Filigree​ (as Connor and I have been referring to it when talking about posts) while I was still reading it, but I thought I would circle back around now that I've finished and give a more comprehensive review.
This was a strange book, and I came out of reading it much the same way that I did the movie ​Krampus​​: it definitely wasn't bad, and I would also say that it was good​, but it also exists in a weird tenuous space between the two.

​My struggle with Filigree is that I kept forgetting​ to read it. Normally, when I'm reading a book, even if it's a book I don't feel compelled to devour, I have the urge to finish, because I hate leaving things undone. I'll make time to curl up in my favorite armchair with the book on my knees for at least a few minutes, just enough to get in a chapter or two while I have my tea. But I found I wasn't doing that with Filigree​.

It is, as I said before, a quiet sort of book, but while that was part of its charm, I feel like it also might have worked against it in some ways. I'd think about reading, would have to think​ about what I was currently reading, and then I would remember ​Filigree​ and that I had yet to finish it. Sometimes I would pick it up, and other times I wouldn't. I always had to make a conscious effort to remember to read it.

​Another reason I think the overall tone might have worked against the book was I was finally at the book's climax, but I felt no urgency. I am sure I was meant to--the events unfolding were crazy and tumultuous--but I couldn't muster the appropriate feelings. This is not to say that I didn't care about the characters, because I did. But I also found I cared more about the secondary characters than the three protagonists; in some ways, I felt that they had a bit more substance to them, like I knew their personalities better.

I didn't feel relief when I was finished with the book, because the overall story was an interesting one and I truly did​ want to know what happened, but I also didn't experience any of the usual things I feel when I finish a book. It was simply over, and I could finally move on to something else.

Filigree​ was a good book, but a strange one. I am glad I read it, but I can't see myself ever picking it up for a reread. It is certainly not a book for everyone. But if you're willing to give it a try, I hope that you, like myself, are at least charmed by the little clockwork octopus that has a penchant for stealing socks and hiding in drawers.
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the watchmaker of filigree street

5/23/2016

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I found The Watchmaker of Filigree Street​ by Natasha Pulley totally by accident, lurking in the mystery section of my local library. I was browsing the stacks, mostly checking what Agatha Christie they had (the selection was pitiful), when I spotted a book tucked into a strange corner between bookshelves. There was a bright green octopus on the spine. Never one to ignore a cephalopod, I squeezed my arm into the space and pulled it out. I’m not sure if this book was meant to be in the mystery section or if it was placed there by another patron. I don’t even know how long it had been sitting there; if I was the only one who had happened to peer into the space between the shelves, it could have been there, undetected, for ages. So I read the back cover, decided it looked interesting, tucked it under my arm, and went to check out.

I let it sit around for a bit but finally got to starting it just recently, and I’m fascinated. Unexpectedly, the book has magic, although I suppose that the use of the adjective “magical” on the back synopsis should have clued me in, but I assumed it was just one of those buzzwords back-jacket writers like to throw around to make the work sound sweeping and grand. But no! There is, in fact, actual magic, which sells me on almost anything. There is also a male protagonist who is charming in his social awkwardness, a female protagonist whom I realized I loved immediately because she reminded me of Lila from V. E. Schwab’s Shades of Magic series, a Japanese watchmaker who is perplexing and intriguing and very lovely, and, because it must be said, a clockwork octopus.

I’m only about halfway through, and I’m unwilling to give away too much about a book, particularly one I haven’t yet finished, but I’m really enjoying it so far. It’s a skinny book, by my usual standards, but it’s not a book that I’ve found myself speeding through. Usually this might spell disaster, as a book I find I am unable to read quickly is usually a book that is boring or obtuse, but that’s not the case here. I simply get caught up in all of it--Grace’s scientific experiments, even though I am not very scientifically inclined; Thaniel’s poor attempts at espionage; Keita Mori’s quiet but powerful presence; and Katsu, the clockwork octopus with a personality all his own. I want to know what happens, but in a quiet way. This is a mystery novel, in a sense, but it is not the pulse-pounding, what happens next what happens next I have to know sort of mystery that I’ve grown used to reading. This is a quieter mystery, where the plot takes a backseat to the characters. So if you love character-driven narratives with a little magic, a little mystery, and a little absurdity, this would be a book worth picking up.
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